Nandi and Piklile’s precarious situation – Shaka iLembe | S1 | Ep 1 | Mzansi Magic from xxx zulu drank s Watch Video

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EVIDENCE 4:<br/>COMPARING COFFEE COLORS WHILE REDUCING THE FRAME RESOLUTION FR0M 1920x1080 PIXELS TO 960x576 PIXELS<br/><br/>Christopher Hariman Rianto deliberately split CCTV 9 footage into two segments as follows:<br/>SEGMENT 1: 15:35 – 16:59 local time <br/>The dimensions of the frame were reduced to 960x 576px, and frame rate was reduced to 10 fps. The coffee color here was captured when Agus Triono served coffee at table 54. <br/><br/>SEGMENT 2: 16:59 – 18:25 local time<br/>The frame dimensions remained full high definition 1920x108px, and frame rate remained at 25 fps. The coffee color here was captured when Sari took the coffee cup after Mirna Salihin drank from it.<br/><br/>Analysis<br/>Reducing the frame resolution from 1920x1080 pixels to 960x576 pixels in the CCTV video 9, specifically during the segments described, can have significant forensic implications, particularly when comparing coffee colors:<br/>1. Loss of Color Detail: The reduction in frame resolution results in a loss of color detail, making it challenging to accurately capture and analyze subtle differences in the coffee colors depicted in the footage. Fine variations in hue, saturation, and brightness may be lost or distorted, impacting the reliability of color comparisons between the two segments.<br/>2. Decreased Clarity: The lower frame resolution diminishes the overall clarity and sharpness of the imagery, potentially affecting the visibility and distinction of the coffee colors. Critical visual cues necessary for discerning differences in color between the segments, such as the intensity of the coffee hue or any variations in color gradient, may be compromised, hindering accurate forensic analysis.<br/>3. Impaired Color Consistency: The discrepancy in frame resolution between the segments introduces inconsistencies in the portrayal of coffee colors, as the lower resolution may alter the rendering of color information. This inconsistency makes it challenging to establish a reliable baseline for comparing coffee colors across the segments, leading to potential inaccuracies or misinterpretations in forensic assessments.<br/>4. Impact on Comparative Analysis: The disparity in frame resolution and subsequent differences in color representation pose challenges for conducting comparative analysis of the coffee colors captured in each segment. Without uniformity in resolution, color fidelity, and image clarity, it is impossible to draw conclusive findings regarding any discrepancies or similarities in the coffee colors observed.<br/>Therefore, the forensic impact of reducing the frame resolution during the specified segments of CCTV video 9 affects the accuracy and reliability of comparing coffee colors. It underscores the importance of maintaining consistent image quality and resolution to facilitate accurate forensic analysis and interpretation of visual evidence.<br/><br/>TEXT LINK:<br/>https://drive.google.com/file/d/1sQzlm6kExSNelxcchtdSO3u2TCX7PWwg/view?usp=sharing<br/><br/>The link of 37 evidence in google drive:<br/>https://docs.google.com/presentation
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The fans that jammed a downtown San Diego concert on a recent night were unmistakable. The men whore imitation bulletproof vests, studded hats and rosaries around their necks. The women?Extremely tight, extremely short dresses, super high heels and long nails tipped with studs.I had seen music videos of “corridos enfermos,” or “sick ballads” on YouTube many times but nothing prepared me for what I saw that night at the concert.The fans were passionate followers of a new music genre among Mexicans on both sides of the border, the so-called “Movimiento Alterado” that glorifies the drug trafficking culture and lifestyle.Law enforcement authorities in Mexico have denounced this music. No matter, its popularity has grown on both sides of the border, spurred by social networks promoting all its trappings.The fans waited in a long line to see the leading interpreters of this music at the House of Blues concert.Most were in their teens and early twenties; a couple of them couldn't even get in although the event was for 18-year-olds and up.Everybody was dressed up as their favorite singer, wearing Ed Hardy, Christian Audigier and Antrax Clothing, the latter a San Diego clothes line worn by leading performers of this genre.While chatting with fans as they waited to get inside I had a déjà vu moment when I saw a couple of young men sporting a polo shirt identical to the one worn by alleged drug lieutenants Edgar “La Barbie” Valdez Villareal and Jose Jorge “El JJ” Balderas when they were captured by Mexican authorities.The young women were dressed like the females in the music videos, wearing revealing clothing and lots of make-up and jewelry. They were excited at the chance to see their favorite “viejón,” a slang term of endearment used by the fans.Everybody agreed they were there to see Alfredo Ríos, El Komander, known as the king of the “corrido alterado.”Whoever wasn't already “buzzing” hurried up and drank straight from the bottle they carried with them, not concerned about drinking alcohol on a public sidewalk.Inside HOB, people were getting impatient to see their favorite bands while a DJ tried to keep them entertained.A strong smell of marijuana filled the place, though it was not clear where it came from.Publicity ads could be seen everywhere promoting social networks, magazines, new discs, everything pertaining to this new music, even the imitation bulletproof vests called “pecheras,” just like the ones El Komander wears in his music videos.This is now a trademark look if you want to be with the “in” crowd among these fans. You can order yours with special embroidery and in what looks like designer patterns.Around nine o'clock the first of 23 bands came out on stage, Convictos CLN, performing their single “Carteles Unidos” (United Cartels), from the “Movimiento Alterado Vol. 5” disc.The audience sang along to lyrics that talked about cutting off heads, drugs, weapons, women and “taking care of business.”The ballads told stories about Sinaloa cartel leaders Joaquín “El Chapo” Guzmán, Ismael Mario “El Mayo” Zambada and Manuel Torres “El M1” Félix.Some of the women who made it backstage waited to take their picture with their musical idols and maybe get hug and a kiss, too.Fuerza de Tijuana, Los dos primos, Oscar García, el RM, Los Buchones, Los Buknas de Culiacán are just some of the bands that set the stage for the headliner, El Komander.He did not disappoint.He drove the crowd crazy with hits like “El corrido del Katch,” “Estrategia de escape,” and his trademark phrase, “y tiro arriba mi compa,” loosely, “I aim high, friend.”Before the show ended every band came out and shared the stage with El Komander and all performed what became the hymn of the night, with the fans singing along:“With a machine gunAnd bazooka at your neckblowing up heads of whoever gets in the waywe are bloodthirstycrazy, highwe like to kill...”Micaela.arroyo@sandiegored.com
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