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This episode follows the team in control and crews out on the road across Lancashire as they respond to those in need. It was filmed in 2023 in the north west of England, one of the areas hardest hit by the cost-of-living crisis, where the ambulance service increasingly acts as a vital safety net for those struggling to cope. It does this while also working hard to deliver emergency care to over seven million people living in the region amid some of the most challenging times in the NHS’s 75-year history. <br/><br/>It’s just after 5pm, and reports of a male lying face down in the road come into control. Advanced paramedic Amy, who attends the most life-threatening emergencies, is immediately dispatched. Amy arrives and takes the lead. CPR continues, but the patient’s heartbeat is irregular. Amy makes the decision to drive the patient to hospital for a last attempt to save his life. <br/><br/>As the night shift begins, 82 patients are waiting for an ambulance, with a new call being taken every 30 seconds. <br/><br/>Paramedics Cameron and Kiera are called to a category 2 emergency – a nine-year-old girl with a bowel blockage. On arrival, they discover the patient has been suffering for months and not getting the help she needs, despite her mum’s best efforts. Despite her discomfort, the crew manage to tease a smile from their young patient when they discuss her brother's upcoming wedding and ask to see the beautiful dress she’ll be wearing – they’re determined she will be better in time to make the wedding in five days' time. <br/><br/>Across the region, over a quarter of all ambulance crews currently treating patients are queuing at hospitals, and 46 patients are waiting for an ambulance. Meanwhile, one of the call handlers is on the phone with a verbally abusive patient who has called the service 35 times in the last year, and dispatcher Vicki despairs when she has a job come through for somebody with athlete's foot. <br/><br/>Paramedic Kelsea and newly qualified paramedic Bushra are dispatched to a 40-year-old male, unconscious, not breathing and bleeding from the head. Due to the severity of the call, senior paramedic Debbie is also dispatched. The patient is bleeding heavily from a fall after a seizure. Debbie, Kelsea and Bushra work to stem the blood. Despite all this, he is initially reluctant to go to hospital for further investigation. <br/><br/>Dispatcher Gary sends Bushra and Kelsea to an 82-year-old lady who has had a fall. On arrival, they discover she has been on the floor all night. She didn’t call because she thought the effects of the fall might wear off, and the paramedics gently admonish her, saying she should have called for help straight away. <br/><br/>Four hours into the day shift, call volume has nearly doubled. Paramedics Cameron and Kiera are dispatched to a 57-year-old male with abdominal pain who is fighting for breath. On arrival, they discover their patient has lost five stone in just four and a half months and is in constant chronic pain – but every time he takes himself
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Redcliffe Caves have temporarily become the home of an ever growing constellation of lights as part of We Are Warriors.<br/><br/>The caves are made up of a human-made network of caverns and catacombs that run underneath the city and are usually closed to the public.<br/><br/>We Are Warriors is a stunning sound and light installation containing thousands of tiny flickering lights and the voices of 130 women and girls from Bristol aged 8 to 80.<br/><br/>The installation, which is running until June 2, was originally commissioned by Bristol Women’s Voice for their Deeds Not Words programme to mark the 100th anniversary of the first time women were allowed to vote.<br/><br/>We Are Warriors plays tribute to anyone who has felt their voice or presence muffled, silenced or suppressed as the voices lure visitors to the main cavern, which has been adorned with a constellation of LED lights.<br/><br/>The soundscape was created by a series of workshops with diverse women from Bristol brought together with Breathing Fire, Black Women’s Playback Theatre Company.  Bristol and Avon Chinese Women’s Group, Bristol Drugs Project, Montpelier High School, Eastwood Park Women’s Prison, Gloucester Road Women’s Institute, Integrate UK (a youth-led charity based in Easton), Redmaid’s Junior School and the Wellbeing Group at Wellspring Healthy Living are among the groups and organisations that contributed to the workshops.<br/><br/>Tickets cost £10.80 (with booking fees) per adult, £5.50 (with booking fees) for ages 5 to 17, £9.96 (with booking fees) for students, NHS and Low Income, and free for carers and ages 0 to 4, and can be booked here. The last entry is at 6.15pm.<br/><br/>As visitors enter the installation, they will have the opportunity to add their own LED light (provided at the entrance) to the trail. Earplugs are also available upon request.<br/><br/>Visitors are also only allowed within the lit-up trails since the rest of the cavern has holes due to its mining history.
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<br/>No matter how a terrible place the world is, there is always someone who proves that the good always wins. Maybe that’s the first and only chance given by a fate that has never been fair to you. The name of that chance that will change the fate of eighteen-year-old high school student Eylul (Oyku Karayel) is Ali Asaf Denizoglu (Gokhan Alkan). The story begins in a high school of a town in the Aegean region. After the two part ways, they cross paths again on the roof of Istanbul’s best hospital! The young brain surgeon Eylul tells her story while she gives a good beating to a group of bullies who raids the hospital’s emergency room. She was a rebellious girl who had changed schools many times and whom teachers didn’t want to deal with. Even when her father picked her up from the last school she got expelled from and beat her very bad, she did not shed a single teardrop. However, that day her whole life changes; the prayer of her grandmother, who ran a small hostel in Marmaris and opened her house to Eylul brings a miracle. \
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