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Yeon Sang-ho’s “Train to Busan” is the most purely entertaining zombie film in some time, finding echoes of George Romero’s and Danny Boyle’s work, but delivering something unique for an era in which kindness to others seems more essential than ever. For decades, movies about the undead have essentially been built on a foundation of fear of our fellow man—your neighbor may look and sound like you, but he wants to eat your brain—but “Train to Busan” takes that a step further by building on the idea that, even in our darkest days, we need to look out for each other, and it is those who climb over the weak to save themselves who will suffer. Social commentary aside, it’s also just a wildly fun action movie, beautifully paced and constructed, with just the right amount of character and horror. In many ways, it’s what “World War Z” should have been—a nightmarish vision of the end of the world, and a provocation to ask ourselves what it is that really makes us human in the first place.<br/><br/>ADVERTISEMENT<br/><br/>Seok-woo (Gong Yoo) is a divorced workaholic. He lives with his mother and barely spends any time with his daughter Su-an (Kim Su-an). He’s so distant from her that he buys her a Nintendo Wii for her birthday, ignoring that she has one already, and that he’s the one who bought it for her for Children’s Day. To make up for this rather-awkward moment, he agrees to give Su-an what she really wants—a trip to her mother’s home in Busan, 280 miles away. It’s just an hour train ride from Seoul. What could possibly go wrong? Even the set-up is a thematic beauty, as this is more than just a train ride for Seok-woo and Su-an—it’s a journey into the past as a father tries to mend bridges and fix that which may be dead. It’s a perfect setting for a zombie movie.<br/><br/><br/>The 14 Scariest Mythological Monsters In Horror Movies<br/>Before they even get to their early-morning train ride, Seok-woo and Su-an see a convoy of emergency vehicles headed into Seoul. When they get to the train, Sang-ho beautifully sets up his cast of characters, giving us beats with the conductors, a pair of elderly sisters, a husband and his pregnant wife, an obnoxious businessman (a vision of Seok-woo in a couple decades), and even a baseball team. A woman who’s clearly not well gets on the train just before it departs, and just as something else disturbing but generally unseen is happening in the station above the platform. Before you know it, the woman is taking out the jugular of a conductor, who immediately becomes a similarly mindless killing machine. These are zombies of the “28 Days Later” variety—fast, focused, and violent. They replicate like a virus, turning whole cars of the train into dead-eyed flesh-eaters in a matter of seconds. They are rabid dogs. And you thought your Metra commute was bad
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The most important details of Leo Frank's defense were the inconsistencies in his testimony. Jim Conley testified that Mary Phagan had arrived at the Pencil factory before Monte Stover, but the motor, man and conductor of the trolley asserted that she had gotten off at 12:10. Most witnesses agreed that it would have taken at least one half hour for the murder and movement of the body to the seller, the writing of the murder notes and Conley's hiding in the wardrobe to occur. However, there were only 30 minutes between 12:00 and 1230 that Frank's time was not accounted for. The defense called more than 20 witnesses to corroborate Frank's version of when the murder happened, where Frank had been, and at what time.<br/><br/>The first two witnesses, W.H. Matthews, motorman, and W.T. Hollis, conductor of the English Avenue car, testified that Mary Phagan got on at Lindsay Street at about 1150 and was alone. Herbert Schiff, assistant superintendent of the Pencil factory, testified to the system of business, the preparation of the financial sheet, the procedure for paying off employees and how the pencils are made. Miss Maddie Hall Stenographer from Montague testified that she finished her work, left around twelve two and punched the clock, and that Frank did not make up the financial sheet that Saturday morning. Miss Corinthia Hall swore that she was the four lady for the factory and got there Saturday around 11:30 a.m. with Mrs. Emma Clark Freeman. Miss Magnolia Kennedy swore that she was behind Helen Ferguson and Helen Ferguson did not ask for Mary Phagan's pay envelope. On cross examination, she stated that Barrett called her attention to the hair and her machine was right next to Mary's. Mary's hair was a light brown sandy color and she did not see the blood spots on the floor. Wade Campbell, another employee, was the brother of Mrs. White who told him about seeing the Negro on Saturday.<br/><br/>Lemme Quinn, foreman of the factory, testified that 100 women worked at the factory. He noticed the blood spots at the lady's dressing room on Monday and was in the office and saw Mr. Frank between 1220 and 1225. Several witnesses later testified that Quinn advised them he had visited Frank prior to noon in the factory the Saturday of the murder. Harry Denham, one of the carpenters on the fourth floor, testified that he was hammering about 40 feet from the elevator on April 26. Minola McKnight, the cook for the Seligs, testified that she worked for Mrs. Selig and cooked breakfast for the family on April 26.<br/><br/>Mr. Frank finished breakfast a little after 07:00 and came to dinner about 20 minutes after one. Her husband, Albert McKnight, wasn't in the kitchen that day between one and 02:00. Mr. Frank left that day sometime after 02:00 and next saw him at 06:30 at supper. She left about 08:00 and Mr. Frank was still at home when she left.<br/><br/>
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